My research develops my meta-scenography as a practical method for composing perception: how attention, rhythm, and orientation are shaped through conditions rather than representation. I work through practice-based research, building score-like structures that can be staged as performance, moving image, or installation.
Within this framework, I investigate how sound and generative systems can operate as scenographic conditions: not as illustration, but as forces that shape structure, intensity, and temporal orientation. I explore how rhythmic organization, thresholds, and spatial cues translate across media, and how algorithmic processes can be directed through constraints and iterative scoring without reducing the work to technique.
I document process, versions, and decision logic as research evidence, aiming for outcomes that are both emotionally legible and methodologically transparent.
